Tag Archives: Charlotte Bronte

WOMEN’S HISTORY MONTH: CELEBRATE!

Beginning in 1996, The Lively Foundation presented annual concerts honoring Women’s History Month. Through many years, Lively’s concerts, HEROIC, BELOVED, were the only concerts honoring Women’s History Month. Artistic Director, Leslie Friedman, noticed that she had choreographed dances about women, about specific, historical figures, and dances set to texts written by women and music composed by women. That work became the first repertory of dances and music. Each year new works would be added often featuring guest artists. Subjects of the dances included Harriet Tubman, with a text by her and a song created about her by Higher Ground, a singing group from Oakland,; the Bronte sisters, using texts from Charlotte Bronte and music by Chopin; Clara Schumann, composer and pianist, with music by her life long friend, Johannes Brahms; Willa Cather, American author, using text from her book, My, Antonia, and premiering music by Jon Deak, music by African-American composer, Undine Smith Moore.

Opera singer Pamela Dillard was one of our first guest artists. She performed classical music songs and others One of her songs was Come Down, Angels, music by Undine Smith Moore. Ms Friedman accompanied Come Down, Angels with a premiere dance.

Pictures from two Heroic, Beloved performances: L-R:Leslie Friedman, Opera singer Marnie Breckinridge, SF Supervisor Reverend Amos Brown; on right side: Pamela Herndon (L) and Sarah Moss (R) dance in the SF Civic Center Garden before their premiere performance of Muse News, music by Bach; choreograhpy by Leslie Friedman.

Charlotte Bronte: The Bats of Haworth

The Lively Foundation is proud to announce that the Browning Society of San Francisco, a prominent literary and theater society, has invited our Artistic Director, Leslie Friedman to make a presentation on January 12, 1:00 p.m., the Sequoias, 1400 Geary, San Francisco. Admission is free. A reception with cake, coffee, tea follows the talk.

The Bronte sisters, Emily, Anne, Charlotte, painted by their brother, Branwell.

Leslie will show the video of her dance, THE BATS OF HAWORTH, which is accompanied by spoken excerpts from the writings of Charlotte Bronte, and music of Chopin. The dance is a trio about the Bronte sisters. This year is the 200th anniversary of the birth of Emily Bronte, author of Wuthering Heights. The presentation will include a talk about the sisters and their art as well as about the choreography. Dr. Friedman choreographed and danced in this work.

The presentation is free and open to the public, Jan. 12, 1:00 p.m., at the Sequoias, 1400 Geary Blvd., San Francisco. You may enter through the buildings Post St. entrance, sign in, take the elevators to the top floor. For more information, please contact Dennis R. Parks, 415/668-0332 or dennisrparks@yahoo.com  or find the Browning Society on Facebook.

HEROIC, BELOVED: Lively’s Concerts for Women’s History

Heroic leslieThe first one was in March, 1996. HEROIC, BELOVED, a concert of dances about real, historic women, or set to music by women, with lyrics by women, or ideas about women. Every Spring season, 1996 – 2010, The Lively Foundation presented the concerts with new works, guest artists, at home or on tour. From the beginning, it was the FIRST and the ONLY concert for Women’s History Month AND the FIRST and the ONLY production by an arts group to aid breast cancer patients.

In San Francisco, the concerts included choreography by Leslie Friedman for company dancers with Leslie and solo performances by Leslie. On tour through the US, the concerts were all solo. Performances presented by universities and civic organizations appeared in California, Washington state, Iowa, multiple times in various cities of Ohio, Kentucky, Tennessee. Leslie’s dances included a dance about Harriet Tubman set to a song by the Oakland based group, Higher Ground; a dance with music by Edward Elgar written for a poem by Elizabeth Barrett Browning; music by Jon Deak for writing by Willa Cather; a song by Tina Turner dedicated to dancer Mary Craighill; Embrace Tiger, Return Rhinemaid to Mountain, a satirical dance for a Cole Porter song; a Brahms violin sonata for Clara, a dance about Clara Schumann; the velvety vocal of Miss Helen Humes’ ballad, Every Now and Then; the rousing spiritual, Come Down, Angels, written by Undine Smith Moore. And more: The Bats of Haworth, for example, a trio with music by Chopin and text from Charlotte Bronte.

“It amazed me when I got a call from some other dancers wanting to know who my funders were because they wanted to do a program like this, too!” recalls Leslie. “My funders?! I did the program because it needed to be done.

PDillardMy first guest artist, opera singer Pamela Dillard, was beautiful. She sang Come Down, Angels with me dancing, too. She said she always ran in the Avon event in San Francisco and was delighted to help. At one performance, Gloria Guth Pasta, my dear friend from graduate school, came with her cancer support group. That was a moment to remember always. That was my ‘funding.'”

Picture: top:Leslie Friedman, Washington, D.C.; photo by Jonathan Clark; Pamela Dillard